Obviously he put himself in his own movies. Despite a stellar cast, 1997's Jackie Brown just wasn't very good and for a while it seemed that Tarrantino was more interested in his acting career than on delivering a good film. So what if he had to share it with former friend Roger Avary, whose story (about a boxer and his daddy's gold watch) he'd filched and made the backbone of his movie? It won him an Oscar for Best Original Screenplay. It jump-started John Travolta's failing career and made a star of Samuel L Jackson. No-one knew what he was going to do next. He was 30 and he had the world at his feet. Passionate, arrogant and as excitable as a puppy in a room full of unhumped legs, you either loved him or you loathed him. So what if we found out later that the film was an unacknowledged remake (or rip-off) of Hong Kong director Ringo Lam's excellent City on Fire? The controversy surrounding that scene made the film and gave Tarantino a reputation as a dangerous young director surfing the pop culture zeitgeist. Worse still, it has inspired drunken men to dance to Stuck in the Middle With You. Unfortunately, the cop still has one ear left and is forced to listen to the rest of the song. And slicing off his ear with a straight razor. Elvis impersonator Michael Madsen tortures a bound and gagged cop by dancing to a Gerry Rafferty song. And Quentin Tarantino.Ī model of low-budget independent cinema, 1992's Reservoir Dogs was fresh, vibrant, funny and violent a showcase for Tarantino's pop culture sensibilities, his perverse sense of humour and his cheerfully vulgar dialogue, which amused and offended audiences in equal measure. Under his guardianship, Sundance has become one of the most influential film festivals in the world, championing the best modern American and international independent film makers, among them the Coen Brothers and Steven Soderbergh. When he bailed out a small, Utah-based independent film festival, the Sundance Film Festival was born. San Diego, CA: Bridgepoint Education, Inc.I blame Robert Redford. It contributes to the overall authenticity of the film not solely on the lighting alone, but combined with the mise en scene the setting, colors, props, costumes, makeup, and actors. With the fight taking place in a Japanese garden outside, complete with Samarai swords, the reflection of light off of the swords, the quick flash of O’Ren’s blood and scalp flying across the moonlight air, it gives an erie calm that is best captured in this type of lighting, instead of indoors under incandescent light. Given the fact that O’Ren is also wearing white while she fights simply adds to the reflection of moonlight from both the snow and her robe. In an emotional scene where two former friends fight to the death, there is something so beautiful about the snowy setting and the moonlight. There are several benefits to this choice of lighting. With deep shadows in the background, this effective use of low-key lighting seems appropriate for such a dramatic scene. Given the fact they are fighting on snow covered ground allows the scene to seem well-illuminated, with the moonlight reflecting off of the snow, giving the scene an overall glow. When Beatrix Kiddo and O’Ren Ishii fight outside the House of Blue Leaves, the only light they have available to them is the light from the moon. Specifically, I will discuss the use of low-key lighting, enhanced with flat and natural light, during the fight scene in Kill Bill. In relation to cinematography, lighting in particular, different approaches to lighting can effectively be used to provoke different feelings for various scenes. 145) While many things can make up the mise en scene, the lighting can play a key role in how the scene is perceived. According to “Film, From Watching to Seeing”, the term “mise en scene” is a French term referring to what is placed in the scene.
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